" My recent reading has caused me for some reason to remember
myself as I was when a young girl, reading high Romances and
seeing myself simultaneously as the object of all knights’
devotion—an unspotted Guenevere—and as the author of the
Tale. I wanted to be a Poet and a Poem, and now am neither,
but the mistress of a very small household, consisting of an
elderly poet (set in his ways, which are amiable and gentle and
give no cause for anxiety), myself, and the servants who are not
unmanageable. I see daily how Patience and Faith are both
worn down and hagged with the daily care of their broods and
yet shine with the ow of love and unstinted concern for their
young. They are now grandmothers as well as mothers, doted
on and doting. I myself have come to nd of late a kind of
creeping insidious vigour come upon me (after the unspeakable
years of migraine headache and nervous prostration). I wake
feeling, indeed, rather spry, and look about for things to occupy
myself with. I remember at sixty the lively ambitions of the
young girl in the Deanery, who seems like someone else, as I
watch her in my imagination dancing in her moony muslin, or
having her hand kissed by a gentleman in a boat.
I hit on something I believe when I wrote that I meant to be a
Poet and a Poem. It may be that this is the desire of all reading
women, as opposed to reading men, who wish to be poets and
heroes, but might see the inditing of poetry in our peaceful age,
as a suciently heroic act. No one wishes a man to be a Poem.
That young girl in her muslin was a poem; cousin Ned wrote an
execrable sonnet about the chaste sweetness of her face and the intuitive goodness shining in her walk. But I now think—it
might have been better, might it not, to have held on to the
desire to be a Poet? I could never write as well as Randolph, but
then no one can or could, and so it was perhaps not worth
considering as an objection to doing something.
Perhaps if I had made his life more dicult, he would have
written less, or less freely. I cannot claim to be the midwife to
genius, but if I have not facilitated, I have at least not, as many
women might have done, prevented. This is a very small virtue
to claim, a very negative achievement to hang my whole life
on. Randolph, if he were to read this, would laugh me out of
such morbid questioning, would tell me it is never too late,
would cram his huge imagination into the snail-shell space of
my tiny new accession of energy and tell me what is to be done.
But he shan’t see this, and I will nd a way—to be a very little
more—there now I’m crying, as that girl might have cried.
Enough. "
-Pg. 122, Ellen Ash née Best, Possession, A.S. Byatt